“花间万象——卢雪镂绘主题艺术展”在北京怀柔北沟村瓦美术馆隆重开幕 / “Blossoms: A World of Images – Lu Xue Hollow-Carving Art Exhibition” Grandly Opened at Wa Art Museum, Beigou Village, Huairou, Beijing.

本次展览由卢雪工作室与2049投资集团联合旗下瓦厂酒店、瓦美术馆、三卅酒店共同策划，通过系统性梳理艺术家卢雪在不同时期的镂绘艺术作品，以花为核心意象，展出卢雪探索传统艺术与现代审美的交汇路径，呈现传统镂绘艺术在当代语境下的创造性转化成果。艺术家通过虚实相生的雕刻语言，在方寸间构建起传统美学与现代视觉的对话场域。

展览开幕当天，北京市怀柔区渤海镇北沟村党支部书记王全，2049 投资集团执行总裁、瓦厂酒店品牌主理人曹冰，北京市文物保护协会监事长、原北京中轴线遗产保护中心（北京世界文化遗产监测中心）主任关战修，中国镂绘艺术创始人卢雪，中国中文卫视台台长袁勇，资深媒体人胡斌以及来自艺术、文旅与乡村发展领域的众多嘉宾齐聚长城脚下，共同见证了这场集传统艺术、自然意境与文化振兴于一体的艺术盛事。

开幕式上，2049投资集团执行总裁曹冰发表致辞。她表示：“瓦美术馆是2049投资集团推动乡村文化复兴的重要平台，本次展览不仅是一场与传统艺术“镂绘”的深度对话，更是艺术走进北沟村、激活在地文旅资源的生动实践。我们希望通过这样的文化项目，让更多人走进怀柔、走进北沟，感受传统之美，体验山水人文的魅力。”

The exhibition is co-organized by Lu Xue Studio and 2049 Investment Group, together with its subsidiaries Brickyard Retreat, Wa Art Museum and Sansha Hotel. By systematically presenting Lu Xue’s hollow-carving artworks from different periods, with flowers as the core imagery, the exhibition showcases her exploration of the intersection between traditional art and modern aesthetics, and presents the creative transformation of traditional hollow-carving art in the contemporary context. Through the sculpting language of interplay between void and solid, the artist constructs a dialogue field between traditional aesthetics and modern vision within a limited space.

On the opening day, Wang Quan, Secretary of the Party Branch of Beigou Village, Bohai Town, Huairou District, Beijing; Cao Bing, Executive President of 2049 Investment Group and Brand Director of Brickyard Retreat; Guan Zhanxiu, Supervisor of Beijing Cultural Relics Protection Association and former Director of Beijing Central Axis Heritage Protection Center (Beijing World Cultural Heritage Monitoring Center); Lu Xue, founder of Chinese Hollow-Carving Art; Yuan Yong, President of China Chinese Language TV Station; Hu Bin, senior media professional, together with many guests from the fields of art, culture, tourism and rural development, gathered at the foot of the Great Wall to witness this grand art event integrating traditional art, natural artistic conception and cultural revitalization.

At the opening ceremony, Cao Bing, Executive President of 2049 Investment Group, delivered a speech. She stated: “Wa Art Museum is an important platform for 2049 Investment Group to promote rural cultural revitalization. This exhibition is not only a profound dialogue with the traditional art of hollow-carving, but also a vivid practice of bringing art into Beigou Village and activating local cultural and tourism resources. We hope that through such cultural projects, more people will come to Huairou and Beigou, experience the beauty of tradition and appreciate the charm of mountains, rivers and humanities.”

2049 投资集团执行总裁、瓦厂酒店品牌主理人 曹冰

Cao Bing, Executive President of 2049 Investment Group and Brand Director of Brickyard Retreat

卢雪的朋友中国中文卫视台台长袁勇表示，作为卢雪老师的挚友与作品收藏者，见证了她这些年的坚持与努力，更见证了她将传统剪纸技艺与绘画相结合独创的镂绘技法。她的作品堪称精美绝伦，巧夺天工。我们看到的不仅是古技今用，更是让传统工艺走进美术馆的范式创新。

Yuan Yong, President of China Chinese Language TV Station and a friend of Lu Xue, stated that as her close friend and art collector, he had witnessed her perseverance and dedication over the years, as well as the unique hollow-carving technique she pioneered by integrating traditional paper-cutting skills with painting. Her works are exquisite and superbly crafted. What we see is not only the modern application of ancient craftsmanship, but also an innovative paradigm for bringing traditional crafts into art museums.

中国中文卫视台台长 袁勇

Yuan Yong, President of China Chinese Language TV Station

资深媒体人胡斌也在开幕式中谈到，在一年中最美好的时节，来到长城脚下瓦美术馆欣赏艺术。充分感受到传统艺术兼具民族性、世界性与创新性，卢雪老师的作品题材丰富，充分体现了真、善、美，有着旺盛的生命力。

Senior media professional Hu Bin also remarked at the opening ceremony that amid the most beautiful season of the year, he came to Wa Art Museum at the foot of the Great Wall to appreciate the art. He fully felt that traditional art embodies nationality, globality and innovation. Ms. Lu Xue’s works feature rich themes, fully embody truth, goodness and beauty, and possess exuberant vitality.

资深媒体人 胡斌

Senior Media Professional Hu Bin

艺术家卢雪在致辞中分享了展览的创作理念与情感初心。“花间万象，不仅是自然中万千花卉的艺术凝结，更是人、自然与时间的交融回响。镂绘是一种‘以空白言说’的艺术，它用剪纸般的留白构筑诗意的空间，希望每位观众都能在作品中找到属于自己的春天。”她提到，此次展出的数十件代表性作品，是她对“自然、女性、岁月”三重主题的深情表达。

Artist Lu Xue shared her creative concept and original aspiration in her address.

“Blossoms: A World of Images is not only an artistic condensation of countless flowers in nature, but also an echo of the integration between humanity, nature and time. Hollow-carving is an art that ‘speaks through emptiness’; it uses paper-cutting-style blank spaces to construct poetic realms. I hope every visitor can find their own spring within the works.”

She noted that the dozens of representative works on display are her heartfelt expression of the three themes: nature, femininity and time.

中国镂绘艺术创始人 卢雪

Lu Xue, Founder of Chinese Hollow-Carving Art

展览以“花即是花”“女人似花”“岁月如花”为叙事脉络，构建起三个意象深远的主题空间。“花即是花”展区，主要呈现出对自然万象的温柔描摹，艺术家以刀为笔、以纸为卷，将四季轮回中的草木荣枯凝练为永恒的视觉诗篇。“女人似花”展区以女性生命之美为创作原点，通过中西美学意象的交融碰撞，塑造跨越时空的女性群像，传达女性的坚韧与优雅；“岁月如花”展区撷取黄河浪花的永恒奔涌为创作母题，将陶瓷的浑厚肌理与纸艺的空灵韵律进行艺术对话，在虚实相生间完成对时间本质的诗意叩问。

The exhibition follows a narrative thread of “Flowers Are Flowers”, “Women Like Flowers”, and “Years Like Blossoms”, constructing three profoundly imaginative thematic spaces.

The “Flowers Are Flowers” section mainly features gentle depictions of nature in all its forms. Using a knife as a brush and paper as a scroll, the artist condenses the cycle of seasons and the growth and withering of plants into timeless visual poetry.

The “Women Like Flowers” section takes the beauty of female life as its creative origin. Through the integration and collision of Chinese and Western aesthetic imagery, it shapes female images that transcend time and space, conveying women’s resilience and elegance.

The “Years Like Blossoms” section draws on the eternal surging of the Yellow River waves as its creative motif. It stages an artistic dialogue between the profound texture of ceramics and the ethereal rhythm of paper art, and poetically explores the essence of time through the interplay of solid and void.

此次展览的举办，也标志着瓦美术馆“艺术进山村、文化促振兴”系列计划的又一步。通过链接艺术家资源、激活乡村空间、丰富文旅内容，瓦美术馆正在逐步构建一个以文化为核心、艺术为媒介的乡村公共文化平台。

为了让更多人能够感受到镂绘艺术的魅力，本次展览还出品一系列轻量化文创产品，包括花卉主题艺术品、图腾系列作品及镂绘手工艺品等，覆盖了不同消费层级的需求。此外，瓦美术馆将不定期开展镂绘工作坊，观众可以亲身体验镂绘艺术的魅力，感受传统文化的独特韵味。

The holding of this exhibition also marks another step forward in Wa Art Museum’s series of initiatives: “Art into the Mountains, Culture Boosts Revitalization”. By connecting artistic resources, activating rural spaces, and enriching cultural tourism offerings, the museum is gradually building a rural public cultural platform centered on culture and mediated by art.

To enable more people to experience the charm of hollow-carving art, the exhibition has also launched a series of light cultural and creative products, including flower-themed artworks, totem series pieces, and hollow-carving handicrafts, covering the needs of different consumer levels.

In addition, Wa Art Museum will hold irregular hollow-carving workshops, allowing visitors to personally experience the appeal of hollow-carving art and the unique charm of traditional culture.

“花间万象——卢雪镂绘主题艺术展”的成功举办，不仅展示了传统艺术的魅力与活力，更为非遗传承与乡村振兴的融合发展提供借鉴和启示，为乡村文化振兴注入了新的活力，构建起艺术驻留－非遗活化－在地共生的创新模式。展览将持续至2025年6月，诚邀广大市民、艺术爱好者与游客朋友前来参观赏析，于山水之间、花影之中，邂逅春日的艺术之美。

The success of “Blossoms: A World of Images – Lu Xue Hollow-Carving Themed Art Exhibition” not only showcases the charm and vitality of traditional art, but also provides reference and inspiration for the integrated development of intangible cultural heritage inheritance and rural revitalization, injecting new impetus into rural cultural revitalization and establishing an innovative model of Art Residency – ICH Activation – Local Symbiosis.

The exhibition will run through June 2025. We sincerely invite citizens, art lovers and visitors to come and appreciate the works, and encounter the artistic beauty of spring amid mountains, rivers and blooming shadows.